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In the third week of March, the Society for Cinema & Media Studies (SCMS) met in Seattle.
Even though I have been studying German silent cinema for more than four decades, I had not previously heard of the name Hanns Brodnitz, at least not until my recent trip to Berlin, when my long time colleague at the Deutsche Kinemathek, Gero Gandert, gave me a remarkable book b
The German language has a few virtually untranslatable words, often made up of two other words. One of my favorites is Schadenfreude, which means joy at the misery of others. Another is Zerstörungswut, which translates as destroying with anger, but actually means the lust for destruction.
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