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Archival Spaces: Memory, Images, History
I’ve been thinking a lot lately about Maurice Tourneur, who in 1920 directed what is one of my favorite silent films, The Last of the Mohicans.
I first came across the Hungarian painter-photographer-filmmaker-theorist, László Moholy-Nagy, in 1979 when I co-reconstructed the Weimar art exhibition, “Film und Foto” (1929).
The Second Balkan War in 1913 was not only a prelude to World War I, a year later, but also to the ethnic cleansing that would plague the Balkan Peninsula until the end of the 20th century and is in fact still not resolved.
This week I drove out to Pacific Palisades to the Villa Aurora, the German cultural center, to attend a screening of a new German television documentary, Alexander Granach (2012).
Last week at the Syracuse Cinefest, which convenes annually in March, UCLA Film & Television Archive presented a work-in-progress restoration of Partners Again (1926), a silent comedy feature.
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