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Meet Our Donors

UCLA Film & Television Archive is pleased to recognize our generous contributors, whose support makes it possible for us to preserve and make accessible our nation's moving image cultural heritage.

We would like to thank:

Leadership Support

  • H. Van Ameringen Foundation
  • Ralph Edwards Productions Inc.
  • The Film Foundation
  • The Andrew J. Kuehn Jr. Foundation
  • Lyn and John Luzwick
  • Nello Pace and Mary Jo Pace Trust
  • The Packard Humanities Institute
  • Pride Foundation Ric Weiland Estate Fund

Preservation Circle

  • American Psychological Association
  • John Randolph Haynes and Dora Haynes Foundation
  • Iranian American Heritage Foundation of Southern California
  • The Robert Wood Johnson Foundation
  • Louis B. Mayer Foundation
  • The Myra Reinhard Family Foundation
  • San Manuel Band of Mission Indians

Directors Circle

  • Carol D. Bahoric and Myron S. Meisel
  • Stephanie N. and Harold Bronson
  • Cincinnati Children's Hospital Medical Center

Silver Screen Circle

  • Bonnie R. Arnold and Robert C. Puglisi
  • David Berenson
  • The Bridges/Larson Foundation
  • D.J. Audio, Inc.
  • Bill Di Cicco
  • Sandra G. and J. Nicoll Durrie Jr.
  • The Early To Bed Tent - Oasis #239
  • John Gloske
  • Carrie Gorringe and Scott Thurlow
  • Peter Graumann
  • Edna and Yu-Shan Han Charitable Foundation
  • Pamela and Tom Korman
  • Mircosoft Corporation
  • Kathryn Mossom
  • The J. and V. H. Oakie Charitable Foundation
  • Jessica L. DMD and Kirk J. Robertson DMD
  • Michael D. Rutledge
  • Schwab Charitable Fund Alicia Foster Fund
  • Alexandra Seros and Walter F. Ulloa
  • Anne-Marie and Alex Spataru

Producers Circle

  • Erica Bunin
  • Reada B. Edelstein
  • Hollywood Foreign Press Association Charitable Trust
  • George Lucas Family Foundation
  • National Film Preservation Foundation
  • Rohauer Collection Foundation
  • Barbara A. Roisman-Cooper and Martin M. Cooper
  • Strand Releasing

Studio Circle

  • Sharon S. and Joseph A. Adashek MD
  • Robert S. Bader
  • Natalie B. and Matthew Bernstein
  • Margaret Black and John A. Ptak
  • Mary E. and Richard Carpenter
  • Rita Cossette
  • Custom Film Effects
  • Marcia Diracles
  • Ann Greyson
  • Virginia W. Gross
  • Eugene W. Jackson III
  • H. Wesley Kenney
  • Nepenthe Productions
  • Mindy Schirn and Jan-Christopher Horak
  • Seymour Sussman
  • Diane and George Sander Wolfberg
  • Theodore A. Woolery

Cinephile Circle

  • Bradley Bayou and Mark A. Itkin
  • Jo Anne and Miles Benickes
  • The W. & R. Bernheimer Family Foundation
  • A. K. Burns
  • Diane Cary and Jim D. Parriott III
  • Jamie L. Curtis and Christopher Guest
  • Bob Duncan
  • Lacey Ebbert and Dean W. Smith
  • Robert Eberlein
  • Gwen Ewart and Robert Thomas
  • Maria B. Jacobson
  • Deborah Nadoolman Landis PhD and John D. Landis
  • Lily Y. and Tommy C. Lee
  • Stephen O. Lesser
  • Jeffery Jon Masino
  • Dina Merrill and Ted Hartley
  • Jennifer N. Owens and Jay T. Ornellas
  • Marion Peters and Jonathan Mersel
  • David Sameth
  • Alessandro Santi
  • Stephen N. Sauer
  • Francesca Talenti
  • Kathleen W. and H. M. Webster III
  • Di Zhai and Michael C. Iracondo III







*List reflects gifts made between July 1, 2013 and June 30, 2014.

Family and Friends of Ron Isroelit

"Our dad was an avid old movie buff, and he especially loved Laurel & Hardy films. I remember many times (pre-video/DVD/Internet) when he would setup his 16mm projector and screen Laurel & Hardy titles like Brats (1930) and Hog Wild (1930) in the basement of our house or outside on a warm summer night so that the kids in the neighborhood could also see them. We'd watch them once, then rewind and watch them again and again. It was the memory of this enjoyment and his passion for classic films that motivated us to look for a unique way to honor his memory after he passed away. This led us to the discovery of UCLA Film & Television Archive's restoration program and the idea of restoring a film in his honor.

At the first meeting with the UCLA archivists, we were amazed at the list of films that needed to be restored: features, shorts, serials, westerns, comedies, silent and sound eras. Wow! What an opportunity, but how do you decide? Then we saw a few Laurel & Hardy titles on the list, and we knew immediately that restoring one of those would be a perfect way to honor his memory—and that his love for Laurel & Hardy films that he'd passed down not only to his kids, but also to his grandkids would live on. We settled on a classic Laurel & Hardy title called Helpmates (1932). It was a great way to give back to a specific cause that had meant so much to him during his life. And what better way to insure that future generations could benefit from the timeless Laurel & Hardy humor than to restore a classic title within the UCLA Film & Television Archive library."

Ken and Carol Schultz

Ken and Carol Schultz

"Our first exposure to classic films of the 1930s through the 1950s was during the 1970s in our hometown of Pittsburgh, Pennsylvania, where a guy named Rege Cordic hosted "Sunday Afternoon at the Movies." There were probably dozens of these Sunday afternoon matinee shows on air throughout the country at that time, but those shows were not hosted by Rege Cordic.

Rege had grown up in Pittsburgh and worked in radio during the '40s and '50s and moved to Los Angeles in the '60s to begin an acting career in television, but he returned to Pittsburgh regularly to host his show. Rege did a wonderful job of analyzing plots and characters, and describing the skills exhibited by actors and directors in creating fascinating depictions of human aspirations, fears and dreams—along with aspects of the films that nobody else ever talked about. Our love of classic films and belief that it is critical to preserve them is as much a result of our childhood memories of watching these films and learning about the complexities of life from them as it is the quality of the stories, phenomenal acting and talented people who brought them to life.

We are so pleased to be able to further our understanding of, and experience with, classic film and moving image through our involvement with UCLA Film & Television Archive. It has been quite meaningful to us that our philanthropic support of the Archive means not only our favorite films, but also other portions of the Archive collection can be preserved and accessed for future generations to study and enjoy.

Thank you Rege, and thank you to those at UCLA who dedicate their lives to this mission."