| |
|
|
Warner
Bros.
For a sample list of available titles and additional
research resources at UCLA please download our expanded collection
profile
Within several years of its founding in 1923, Warner Bros. had acquired
First National Pictures. It then teamed with Western Electric to form
Vitaphone, a subsidiary to develop sound-on-disc motion pictures. After
a period of experimentation, the company made cinematic history with the
release of the first film with sychronized songs and dialogue, THE JAZZ
SINGER.
Almost more than from any other Hollywood studio, films made at Warner
Bros. have been historically associated with a distinctive style. Warner
films have been described as socially conscious in theme and relatively
simple in visual style (low key lighting and sparse sets). These aspects
are present in the studio's best known genre, the ganster film (PUBLIC
ENEMY, LITTLE CAESAR, THE ROARING TWENTIES), but is also readily evident
in the studio's "New Deal" dramas (THEY DRIVE BY NIGHT, I AM
A FUGITIVE FROM A CHAIN GANG) and its musicals (GOLDDIGGERS OF 1933).
Cartoons were a Warner Bros.'
staple throughout the studio era. The studio's animation department routinely
allowed its talented artists, voice actors, writers, and composers complete
access to studio resources and facilities, and encouraged creative freedom
as long as a certain output was guaranteed (30-40 shorts per year). For
thirty years, beginning in 1930, the studio produced the LOONEY TUNES
and MERRIE MELODIES series which featured "stars" like Bugs
Bunny, Porky Pig, and Daffy Duck.
During the studio's heyday (1930s and 1940s) it employed legendary producers
Darryl Zanuck, Hal B. Wallis, and Steve Trilling. Directors associated
with Warner Bros. include Michael Curtiz, Mervyn LeRoy, William Wellman,
John Huston, William Dieterle, and Raoul Walsh. Its impressive star roster
boasted the likes of Bette Davis, Errol Flynn, Olivia de Havilland, Humphrey
Bogart, James Cagney, Edward G. Robinson, Paul Muni, and Joan Crawford.
|