One indication of the rapidly maturing field of moving image archiving has been the publication of a number of books over the past several years on the history of the field.
Archival Spaces: Memory, Images, History
The Film Studies Department of the Johann Wolfgang Goethe University in Frankfurt, Germany, recently invited a little more than 20 film academics, the great majority graduate students, to a symposium, “Das Nachkriegskino in Deutschland: Reflexionen des beschädigten Lebens?,” which translates as “German Post-War Cinema: Reflections of Damaged Lives.”
The New York Times reported last week that Andrew Sarris, long-time film critic for the Village Voice, had died at the age of 83 in Manhattan.
Recently, at a dinner with Todd Haynes and B. Ruby Rich, we were discussing Douglas Sirk, the German American film director whose melodramas with Rock Hudson and Jane Wyman were such a huge influence on both Haynes and R.W. Fassbinder.
The New York Times reported this week that Renzo Piano and Zoltan Pali had been hired by the Academy of Motion Picture Arts and Sciences to build their planned film museum in the old May Company building on Wilshire Blvd., which is



