On October 26, 2012, the Association of Moving Image Archivists (AMIA) invited participants to the Linwood Dunn Theater at the Academy Film Archive for AMIA’s Digital Asset Symposium, a one-day affair that was well worth the time. Attending were numerous professionals from the entertainment industry, as well as a smattering of students and job seekers.
Archival Spaces: Memory, Images, History
Most film historians today consider Konrad Wolf and Rainer Werner Fassbinder the two greatest German filmmakers in the latter half of the 20th Century.
We arrived in Busan, Korea from Los Angeles, after more than 15 hours of travel and a 16-hour time difference, having flown for the first time in a new A380 wide-body, double-decker Airbus. Busan is the country’s second largest city and a major port on the Pacific Ocean that, thanks to Korea’s economic miracle in the last 30 years, has as many skyscrapers as Chicago.
Peter Decherney’s new book, "Hollywood’s Copyright Wars: From Edison to the Internet" (2012), is a groundbreaking study on what has been an understudied aspect of American film history, namely film copyright.
This week the British Film Institute’s magazine, Sight & Sound, released its latest “Greatest Films of All Time" poll. This poll has been conducted by the magazine every 10 years, since 1952.



